What image do you envision when you hear the term “Reverse Bunny”? You will immediately understand the answer the moment you see this figure. It features an arrangement and exposure balance completely different from a regular bunny suit, with a structure that makes its individuality stand out more intensely depending on the viewing angle. A key point is the ability to fully enjoy perspectives from the “front” and “side” that were hard to imagine from the illustration alone, thanks to the 3D rendition. While it's a battle of ideas, the visual completion is also genuinely high, and its true appeal lies in the fact that it doesn't end as a concept-first novelty.

The figure's physical expression is so skillfully executed that it naturally guides the viewer's gaze. While it possesses a plump, sensual quality, the black bunny suit sharply tightens the body line, creating a beautiful harmony of softness and sharpness. The balanced proportions emphasize an overall healthy and natural beauty, and the realistic sculpting, which avoids extreme exaggeration, leaves a favorable impression. Holding it will amaze you with its three-dimensional brilliance, and you won't tire of displaying it.

The size of approximately 170mm is conveniently manageable for display on a collection shelf, yet it is fully packed with substantial visual information. The delicate sculpting, highlighting the skill of prototype artist Akabeko, is evident in the natural posing and the representation of the body's center of gravity, exuding a sense of realism as if she is about to move despite being static. The coloring by Matsuda Model is also superb; the smoothness of the skin, the application of shadows, and the gloss of the suit allow the entire figure to stand as a three-dimensional work of art.

This figure comes with a stitched fabric base, which also creates a unique presence. The difference in texture from the figure itself gives rhythm to the space and is designed to function as a complete scene, rather than just an ornamental object. This careful consideration extending even to the base conveys the dedication of the creators. Depending on where you place it, you might even experience the illusion that the character is “perching” right there.

Hirari-sensei's original illustration was already a work with an extremely strong character presence, but its charm is further amplified by bringing it into 3D. The shading, the way the light hits, and the harmony with the space—all of which could not be seen in 2D—gain strength as a tangible object, giving an impact as if she jumped out of the world of the illustration. This figure possesses value as a work of art that cannot be simply dismissed with the word “figure.”